Selected Press |
2023 | Rubin, David S. “Elaine Reichek, ‘Frock-Conscious.’” Visual Art Source, July 1. | View |
Hudson, Suzanne. “Elaine Reichek, Shoshana Wayne Gallery.” Artforum, October, 186–87. | View | |
2022 | Kleeblat, Norman L. “Elaine Reichek: Material Girl.” The Brooklyn Rail, April. | View |
O’Neill-Butler, Lauren. “Elaine Reichek, Marinaro.” Artforum, Summer, 233–34. | View | |
Smith, Roberta. Instagram post (@robertasmithnyt), April 8. | View | |
Zhang, Lisa Yin. “Elaine Reichek: MATERIAL GIRL.” TheGuide.art, March 27. | View | |
2021 |
Engel, Laura. “All About My Mother: Archives, Art, and Memory.” Tulsa Studies in Women’s Literature (University of Tulsa, OK), vol. 40, no. 2 (Fall 2021), 209–13. | View |
Reichek, Elaine. “Leaving the Fold.” In Glenn Adamson, ed., Material Intelligence: Linen. Milwaukee: The Chipstone Foundation, 16–23. | View | |
2019 | Mac Adam, Alfred. “The Ideas Hidden in One Artist’s Embroidery.” Hyperallergic, June 8. | |
O’Neill-Butler, Lauren. “Shared Origins.” Maharam Stories, maharam.com | ||
2018 | Panicelli, Ida. “Elaine Reichek, Secession.” Artforum, September, 307. | |
O’Neill-Butler, Lauren. “Interview: Elaine Reichek.” Artforum.com, April 10. | ||
2016 | Sorkin, Jenni. “Elaine Reichek, Shoshana Wayne Gallery.” Artforum, October, 276–77. | |
Parkes, Olivia. “The Artist Highlighting Sexism with Needle and Thread.” Vice.com (“Broadly Culture”), February 12. | ||
2014 |
Wei, Lilly, "Elaine Reichek." ARTnews, February. |
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2013 |
Fiske, Courtney, "Elaine Reichek." Artforum.com, December 12. |
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Rosenberg, Karen, "Elaine Reichek: 'A Précis 1972 – 1995.'" The New York Times, December 13, C32. |
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Johnson, Ken, "The Jewishness Is in The Details." The New York Times, September 6, C23. |
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2012 |
“Elaine Reichek.” The New Yorker, 19 March, p. 12. | |
Rosenberg, Karen, " Elaine Reichek: 'Ariadne's Thread.'," The New York Times, February 24, C28. | '
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2008 |
Birnbaum, Paula, " Elaine Reichek: Pixels, Bytes and Stitches," Art Journal, Summer, pp.19-35. |
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Sharp, Sarah G., "Interview with Elaine Reichek." Smithsonian Archives of American Art, February 12. |
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2007 |
Thurman, Judith, "The Artistic Life: Stitches in Time," The New Yorker, October 29. pp. 37-38. |
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2004 |
Schwendener, Martha, "Reviews: Elaine Reichek, Nicole Klagsbrun," Artforum, November, pg. 226. |
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Frankel, David, "Stitchellated Pics," Aperture 175, Summer, pp. 34-39. | ||
Cotter, Holland, "Elaine Reichek", The New York Times, June 11. | ||
2002 | Myers, Holly, “Stitches of life and philosophy,” Los Angeles Times, E30, November 29. | |
1999 | Arning, Bill “Elaine Reichek’s Rewoven Histories.” Art in America, March, pp. 90–95. | |
Cotter, Holland. “New Samplers That Give Old Pieties the Needle.” New York Times, March 5, p. E48. | ||
1995 | “Elaine Reichek.” The New Yorker, 22 May, p. 19. | |
1994 | Schwabsky, Barry. “Elaine Reichek: Jewish Museum.” Artforum, October, p. 104. | |
Slesin, Suzanne. “Perils of a Nice Jewish Girl in a Colonial Bedroom.” New York Times, February 17, pp. C1, C6. | ||
1993 | Bell, Desmond. “Elaine Reichek: Irish Museum of Modern Art.” Circa, Fall. pp. 58-59. | |
Lichtenstein, Therese. “An Interview with Elaine Reichek.” Journal of Contemporary Art, Winter, 92–107. | ||
1992 | Isaak, Jo Anna. “Who’s ‘We,’ White Man?” Parkett, no. 34 (Fall), pp. 142–51 | |
Princenthal, Nancy. “Elaine Reichek’s ‘Native Intelligence.” Print Collectors’ Newsletter, July/August, pp. 94–95. | ||
1990 | Morgan, Susan. “Colonialism.” Aperture 119, Spring, cover, pp. 26–31. | |
1989 | “Art.” The New Yorker, April 17. | |
Miller, Charles V. “Domestic Science.” Artforum, March, cover, pp. 117–20. | ||
1987 | Princenthal, Nancy. “Elaine Reichek at Carlo Lamagna and A.I.R.” Art in America, July, p. 129. | |
1983 | Levin, Kim. “Elaine Reichek.” Flash Art, January/February, p. 65. | |
Wooster, Ann Sargent. “Elaine Reichek at Concord.” Art in America, March, pp. 161–62. | ||
1981 | Robins, Corinne. “Verbal Image/Written Object: Connection as Meaning in the Work of Elaine Reichek.”Arts Magazine, February, pp. 95–97. | |
1978 | Marter, Joan. “Elaine Reichek.” Arts Magazine, January, p. 7. |