Selected Press

2012
“Elaine Reichek.” The New Yorker, 19 March, p. 12.
Rosenberg, Karen, " Elaine Reichek: 'Ariadne's Thread.'," The New York Times, February 24, C28.
2008
Birnbaum, Paula, " Elaine Reichek: Pixels, Bytes and Stitches," Art Journal, Summer, pp.19-35.
2007
Thurman, Judith, "The Artistic Life: Stitches in Time," The New Yorker, October 29. pp. 37-38.
2004
Schwendener, Martha, "Reviews: Elaine Reichek, Nicole Klagsbrun," Artforum, November, pg. 226.
Frankel, David, "Stitchellated Pics," Aperture 175, Summer, pp. 34-39.
Cotter, Holland, "Elaine Reichek", The New York Times, June 11.
2002 Myers, Holly, “Stitches of life and philosophy,” Los Angeles Times, E30, November 29.
1999 Arning, Bill “Elaine Reichek’s Rewoven Histories.” Art in America, March, pp. 90–95.
  Cotter, Holland. “New Samplers That Give Old Pieties the Needle.” New York Times, March 5, p. E48.
1995 “Elaine Reichek.” The New Yorker, 22 May, p. 19.
1994 Schwabsky, Barry. “Elaine Reichek: Jewish Museum.” Artforum, October, p. 104.
  Slesin, Suzanne. “Perils of a Nice Jewish Girl in a Colonial Bedroom.” New York Times, February 17, pp. C1, C6.
1993 Bell, Desmond. “Elaine Reichek: Irish Museum of Modern Art.” Circa, Fall. pp. 58-59.
1992 Isaak, Jo Anna. “Who’s ‘We,’ White Man?” Parkett, no. 34 (Fall), pp. 142–51
  Princenthal, Nancy. “Elaine Reichek’s ‘Native Intelligence.” Print Collectors’ Newsletter, July/August, pp. 94–95.
1990 Morgan, Susan. “Colonialism.” Aperture 119, Spring, cover, pp. 26–31.
1989 “Art.” The New Yorker, April 17.
  Miller, Charles V. “Domestic Science.” Artforum, March, cover, pp. 117–20.
1987 Princenthal, Nancy. “Elaine Reichek at Carlo Lamagna and A.I.R.” Art in America, July, p. 129.
1983 Levin, Kim. “Elaine Reichek.” Flash Art, January/February, p. 65.
  Wooster, Ann Sargent. “Elaine Reichek at Concord.” Art in America, March, pp. 161–62.
1981 Robins, Corinne. “Verbal Image/Written Object: Connection as Meaning in the Work of Elaine Reichek.”Arts Magazine, February, pp. 95–97.
1978 Marter, Joan. “Elaine Reichek.” Arts Magazine, January, p. 7.