RECENT SOLO EXHIBITIONS

Now If I Had Been Writing this Story
Secession, Vienna, Austria
April 13 – June 3, 2018
https://www.secession.at/en/exhibition/elaine-reichek/

Invisible Citings: Elaine Reichek and Jeanne Silverthorne
The Addison Gallery of American Art, Phillips Academy, Andover, MA.
September 1 – December 31, 2017
https://addison.andover.edu/Exhibitions/InvisibleCitings/Pages/default.aspx

Ever Yours, Henry James
Anne H. Fitzpatrick Façade, Isabella Stewart Gardner Museum, Boston
June 27, 2017 – January 16, 2018
https://www.gardnermuseum.org/calendar/exhibition/elaine-reichek

 

RECENT PUBLICATIONS

2018
Now If I Had Been Writing This Story
Vienna: Secession
Set of artist’s books, with an essay by the artist
https://www.secession.at/en/shop/produkt/elaine-reichek/

2017
Elaine Reichek and Jeanne Silverthorne
Invisible Citings
Andover, MA: Addison Gallery of American Art
With an essay by Allison Kemmerer, “Hide and Seek: Invisibility Unveiled”

 

RECENT GROUP EXHIBITIONS

A Thread of Execution. Dimensions Variable, Miami, FL
October 20 – December 29, 2017
https://dimensionsvariable.net/exhibition/a-thread-of-execution/

Love Among the Ruins: 56 Bleecker Gallery and Late 80s New York
Howl! Happening: An Arturo Vega Project, New York
Curated by Susan Martin, Maynard Monrow, and Bill Stelling
September 10 – October 7, 2017
https://www.howlarts.org/event/love-among-the-ruins/

Uptown, The Miriam & Ira D. Wallach Art Gallery, Columbia University, New York
Curated by Deborah Cullen
June 20 – August 20, 2017
https://wallach.columbia.edu/exhibitions/uptown

 

RECENT PRESS & BIBLIOGRAPHY

Lauren O’Neill-Butler. “Interview: Elaine Reichek.” Artforum.com, April 10, 2018.
https://www.artforum.com/interviews/elaine-reichek-talks-about-her-show-at-the-secession-in-vienna-74945

"Artforum Video: Excerpts from an Interview with Elaine Reichek.” Artforum.com, April 10, 2018.
https://www.artforum.com/video/excerpts-from-an-interview-with-elaine-reichek-74941

David Frankel. “‘Love Among the Ruins: 56 Bleecker Gallery and Late 80s New York.’” Artforum, January 2018, 213–14.

Ariel Gittlen. “11 Artists Using Embroidery in Radical Ways.” Artsy, November 21, 2017.
https://www.artsy.net/article/artsy-editorial-11-artists-embroidery-radical-ways

Seph Rodney. “In Harlem, a New Triennial Parses the Historical, Political, and Social Context of ‘Uptown.’” Hyperallergic, August 4, 2017.
https://hyperallergic.com/386042/in-harlem-a-new-triennial-parses-the-historical-political-and-social-context-of-uptown/

Anne Röhl. “Sampler,” in Anika Reineke, Anne Röhl, Mateusz Kapustka, and Tristan Weddigen, eds.
Textile Terms: A Glossary (Textile Studies 0). Emmsdetten/Berlin: Edition Imorde, 210–14.
https://www.amazon.com/Textile-Terms-Glossary-Studies-Imorde/dp/3942810360
https://enfilade18thc.com/2017/04/02/new-book-textile-terms-a-glossary/

Anne Tschida. “Looking for Relief from Digital Overload? This Free Art Show Is for You.” Miami Herald, November 17, 2017.
http://www.miamiherald.com/entertainment/visual-arts/article185590308.html