CURRENT GROUP EXHIBITIONS Joan Didion: What She Means
Think Pinker The Conquest of Space: On Hannah Arendt
Kimberly Chrisman-Campbell. “Citing Her Sources: Elaine Reichek’s New Clothes at Shoshana Wayne,” Observer, July 8, 2023. Jody Zellen. “Elaine Reichek: ‘Frock-Conscious’: Critiquing and Celebrating Modes and Methods of Representation.” ArtNowLA, July 2023. https://artnowla.com/2023/06/23/elaine-reichek-frock-conscious/ Suzanne Hudson. “Elaine Reichek, Shoshana Wayne Gallery.” Artforum, October, 186–87.
2023 Hilton Als. Joan Didion: What She Means (Los Angeles: Hammer Museum), 35, 123. Mark Godfrey and Katy Siegel, eds. Making Their Mark: Art by Women in the Shah Garg Collection (New York: Gregory R. Miller & Co.). Katy Siegel, “Some Women,” 31; Allie Biswas, “Elaine Reichek,” 234–35, plate 47. 2022 Stephan Kunz and Susann Wintsch, eds. Venedigsche Sterne: Kunst und Stickerei [Venetian Stars: Art and Embroidery] (Chur, Switzerland: Bündner Kunstmuseum, with Scheidegger & Spiess). Susann Wintsch, “Elaine Reichek,” 199–206; “Der Aufstieg der Stickerei zur Politischen Kunst” [“The Rise of Embroidery to Political Art”], 227–32. Howard A. Zar. Women’s Work (Tarrytown, NY: Lyndhurst and National Historic Trust for Preservation). 2021 Joseph McBrinn. Queering the Subversive Stitch: Men and the Culture of Needlework (London: Bloomsbury Visual Arts), xix, 7–8, 120, 166 n.30–31, plate 1. https://www.bloomsbury.com/us/queering-the-subversive-stitch-9781472578044/ Lauren O’Neill-Butler. “Elaine Reichek,” in Let’s Have a Talk: Conversations with Women on Art and Culture (New York: Karma Books), 116–19. https://bookstore.karmakarma.org/product/lauren-oneill-butler-lets-have-a-talk/
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